Best known for quiet.

Best known for quiet, carefully described images of domestic life as seen in works by means of Johannes Vermeer, Pieter de Hooch and others, the 17th hundred Delft artists also produced history pictures and decorative arts, as revealed in a fresh exhibit at the Metropolitan Museum of Art entitled "Vermeer and the Delft School" onward view from March 8 between the sides of May 27. Featuring 85 paintings, 35 drawings and a selection of tapestries, gilded silver and Delftware faience, the exhibit aims to cast the Delft seminary in a new light--one that emphasizes the parts of the neighboring court at the Hague and of sophisticated patrons in Delft Following its occupancy at the Met, the exhibit will travel to the National Gallery in London from June 20 in consequence of Sept. 16.

Although the paintings of Vermeer are frequently regarded as the culmination of realism in Dutch art, the exhibit will reveal to what extent earlier artistic developments in Delft paved the way for the achievements of Vermeer and his celebrated colleagues--de Hooch Carel Fabritius, Emanuel de Witte and others. Vermeer is describeed by 15 paintings. Among the highlights are of the like kind rarely lent masterpieces as "The Art of Painting" (1667) and "The Procuress" (1656) Also included is De Hooch's "Portrait of a Family in a Courtyard in Delft" (1658) and Fabritius' "Goldfinch" (1654)

The drawings and watercolors forward exhibit vary from preparatory sketches to finished drawings depicting views in Delft that are still recognizable today. A selection of delicate flower, shell and other nature studies are among the highlights of works upon paper.

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